
On Photography: the camera and the world
A reading of photography as a way of collecting, interpreting, and exercising power over what we see.

The archive
Editorial readings of Susan Sontag alongside selected fragments from Jane Austen.

A reading of photography as a way of collecting, interpreting, and exercising power over what we see.

Artifice, exaggeration, theatricality, and the unstable pleasure of taking style seriously.

Why explanation can become a screen between an artwork and the experience it offers.

A reconsideration of war photography, spectatorship, sympathy, and the limits of visual evidence.

A short note on the harm caused when disease is turned into judgement, punishment, or personal failure.

Jane Austen begins with a polished certainty, then lets conversation expose everything it conceals.

A fragment from Jane Austen's final completed novel, opening on vanity rendered with exact comic control.